Cities and Memory Oxford, UK
Cities and Memory is one of the world’s biggest sound projects, a global, collaborative sound art and field recording
programme with the aim of remixing the world, one sound at a time. It covers more than 100 countries and territories with 5,000+ sounds and more than 1,000 contributing artists.
Thousands of field recordings, recomposed and reimagined by artists around the world.
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If you like Cities and Memory, you may also like:
Everywhere, an empty bliss
by The Caretaker
supported by 8 fans who also own ““In a snow-white field near Moscow, I want you above all to hear how sad my living voice is” (Moscow, Russia)”
Just imagine if these outtakes made it into EATEOT, the project would've been over seven hours! I love how "I Might Be Vanishing" is a stark contrast from other tracks, being only nine seconds.
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We, so tired of all the darkness in our lives
by Leyland Kirby
supported by 7 fans who also own ““In a snow-white field near Moscow, I want you above all to hear how sad my living voice is” (Moscow, Russia)”
During the final days of writing my thesis I listened to this album on repeat for hours at a time. It was like being suspended in one eternal moment while all that changed around me were the ripples and eddies of a slowly meandering river.
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supported by 6 fans who also own ““In a snow-white field near Moscow, I want you above all to hear how sad my living voice is” (Moscow, Russia)”
Number 1 dinner guest without eating.
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SAD GODS presents "Singing for Survival - a Compilation for Project Onward"
by Various Artists
A stellar compilation featuring shoegaze and indie favorites like Drowse, Midwife, and Mount Eerie benefitting Project Onward in Chicago.
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The 17 mindbending songs on this compilation represent minimalist experimental music at its best, a collage of blips and static.
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Recorded inside a nuclear cooling tower, this 25-minute album is distinguished by innovative sound design and musical ingenuity.
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Streams Of Consciousness Compiled
by Dirk Serries
supported by 6 fans who also own ““In a snow-white field near Moscow, I want you above all to hear how sad my living voice is” (Moscow, Russia)”
The eight tracks are in the 18-25 minute range and feature lilting tones and expansive – yet mysterious – atmospheres. Individual notes and reverberating guitar washes are immersive but not suffocating. Despite the apparent simplicity of the music, it resonates deeply on an emotional level, inviting the listener to engage in relaxed, thoughtful introspection. https://avantmusicnews.com/2024/03/18/amn-reviews-dirk-serries-streams-of-consciousness-compiled-2024-projekt-records/
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